Classic Colorworks Belle Soie

Tenn. Red Clay

Reds family

Need details on Classic Colorworks Tenn. Red Clay? This medium-dark, moderately saturated red hand-dyed shade is hex #88433F, RGB 136, 67, 63. Cross-brand equivalents in Weeks Dye Works, Gentle Art Sampler, and Valdani are listed below — ranked by perceptual similarity — alongside 8 nearby Classic Colorworks shades and color-theory harmony pairings.

Hex
#88433F
RGB
136, 67, 63
HSL
3°, 37%, 39%
Lab
37.1, 29.0, 16.1
Lightness
39%
Dark
Saturation
37%
Muted
Hue
Family
Reds

Brand Equivalents for Classic Colorworks Tenn. Red Clay

Top 5 closest matches in each brand, ranked by visual color similarity. How matching works

Classic Colorworks Tenn. Red Clay

Sullivans

Desert Sand Very Dark 45386 95% Excellent
Shell Pink Medium 45366 68% Approx
Shell Pink Dark 45365 61% Fair
Antique Mauve Dark 45367 61% Fair
Terra Cotta Medium 45079 60% Fair

Crescent Colours

Wild Berries 177 96% Excellent
Used Brick 090 81% Good
Manor Red 101 76% Approx
Apple Fritter 091 71% Approx
Calico Kitty 096 67% Approx

Similar Classic Colorworks Colors to Tenn. Red Clay

Closest Classic Colorworks threads by perceptual color distance, sorted from most to least similar.

Working with Classic Colorworks Tenn. Red Clay

On white fabric
7.2:1
On dark fabric
2.9:1
Temperature
warm
Closest to
plum

It has moderate contrast on both light and dark fabric — usable on either, but test a few stitches on your chosen ground first.

Hand-dyed notes

As a hand-dyed floss, Classic Colorworks Tenn. Red Clay varies gently within and between skeins — that is the charm. Reserve one dye lot per project and avoid stitching in strict rows to keep the mottling even.

Blending & gradients

Because Classic Colorworks Crab Cakes is so near (ΔE 3.03), the pair makes a natural two-step gradient — handy for shading skin, petals, or skies without a hard seam.

Color Harmonies for Classic Colorworks Tenn. Red Clay

Classic Colorworks threads that pair well with Tenn. Red Clay, based on color theory harmony rules in CIELAB color space.

Complementary
Opposite on the color wheel — maximum contrast
Analogous
Adjacent hues — smooth, natural transitions
Triadic
Evenly spaced at 120° — vibrant and balanced
Monochromatic
Same hue, different lightness — great for shading

Reds Family

Classic Colorworks Tenn. Red Clay in context with nearby shades from the reds color family.

About Classic Colorworks Tenn. Red Clay

A moderately saturated, medium-dark member of the reds family, Classic Colorworks Tenn. Red Clay is a hand-dyed floss with true red tones. Stitchers describe its character as deep and intense, perfect for apple motifs and ladybug designs. It blends comfortably into projects centered on barn scenes and tomato patterns.

Frequently Asked Questions

What does Classic Colorworks Tenn. Red Clay look like?

Classic Colorworks Tenn. Red Clay is a medium-dark shade in the reds family with hex #88433F and RGB 136, 67, 63. Stitchers reach for it in projects featuring bold accents and berries.

Which DMC thread matches Classic Colorworks Tenn. Red Clay?

The closest DMC match for Classic Colorworks Tenn. Red Clay is DMC 3858 (Rosewood medium) with a 77% match based on visual color similarity. Other near matches include DMC 3830 (Terra Cotta, 74%) and DMC 632 (Desert Sand ultra very dark, 73%).

What Classic Colorworks colors are similar to Tenn. Red Clay?

The closest Classic Colorworks threads to Tenn. Red Clay are Crab Cakes (ΔE 3.03), Colonial Rose (ΔE 3.09), and Calico Kitty (ΔE 3.24). These are useful substitutes when Tenn. Red Clay is unavailable or for building gradients.

When should I use Classic Colorworks Tenn. Red Clay?

Reach for Classic Colorworks Tenn. Red Clay when your project calls for bold accents, berries, valentines, poppies. Its medium-dark character carries both small accents and wider palette work; the harmony picks on this page show natural companions to Tenn. Red Clay.

Does Classic Colorworks Tenn. Red Clay vary between dye lots?

Yes, mildly. Hand-dyed threads like Tenn. Red Clay are never perfectly flat, and later dye lots can read differently. Reserve one lot per project and avoid stitching in strict rows to keep the mottling even.